At the very least, you have the opportunity to listen to a voice other than yours that reads your work aloud. You can choose voices for each character and narrator, even if they are all computer-controlled and have a flat intonation. There is also a virtual table reading feature (Final Draft has this too). It’s a great way to quickly make sure a character speaks the same way, style and tone throughout the script. For example, the dialog tuner pulls up all the lines of dialogue for a given character. Additional featuresįade In has a few other unique features that are worth mentioning. Fade In does not offer anything like that yet. For example, if you want to make sure that a chase scene happens in the first 10 minutes of the script, or that there is a twist at the end of act two, you can add those moments to stay on track. ![]() You can then place these cards in a timeline view that appears at the top of your page to see approximately when in the script a particular action or plot round is going to take place. In Final Draft, Beat Board is another index card-like view where you can map the strokes of your script on color-coded cards. One feature that Fade In does not have as Final Draft is a Beat Board. I prefer the ability to reveal all the options that are stacked on top of each other so that they are easier to compare. ![]() The number of options is displayed on the side of the line, and you use an arrow key to switch between them. You can drag and drop scenes to rearrange them from Navigator.įade In has a tool for adding alternate dialogs.Īnother tool in Fade In allows you to save alternate dialog options. A Navigator tool works in the same way and shows you a preview of your scenes to the side of the pages in a separate window. When you change the order of the cards, the scenes are automatically arranged on the page. With virtual index cards, you can, for example, plan, view and edit the order of your scenes on the cards. That writing app does the same for other recurring items, such as locations.įade In also has tools for planning, writing and editing scripts. Once Final Draft knows the names of your characters, it offers to complete them automatically when you enter the first letter or two. The software also collects metadata about scripts, such as the number of locations and characters.įinal Draft does all this too, although it’s a little smarter. When Fade In captures the name of a character, it can predict new dialog lines if you type the character’s name in all letters, Fade In will center the name. For example, when writing a Fade In script, you can specify which text refers to a character or line, and then format the line correctly. Every actor needs to be able to identify his lines easily.įor example, before any dialog line, the speaker name appears in the center and in capital letters. Everyone needs to know how many places to use in shooting and what they are. ![]() The reason why screenwriters need tools for formatting and consistency is that when a script goes into pre-production and production, everyone on the team needs to know how to distinguish a dialogue line, from an action, from a camera shot. It also helps you organize your work and stay in line with character names, stage locations and so on. Like other scriptwriting software, Fade In comes with tools for automatically formatting your script to industry standards. Ulysses is similar to Scrivener it costs $ 49 per year.įade In is professional scripting software with a neat interface. Scrivener costs less at $ 49, although it is better to write novels, lengthy papers and other non-screenwriting formats. Script Studio costs $ 199.95 and limits you to installing the software on two devices at a time. For example, Final Draft costs $ 249.99 and requires you to pay for some updates. 7 Android and iOS apps cost an additional one-time fee of $ 4.99.Ĭompared to other screenwriter software, Fade In is affordable.
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